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Willow is a 1988 fantasy adventure film directed by Ron Howard and produced/co-written by George Lucas. Warwick Davis stars in the film, as well as Val Kilmer, Joanne Whalley, Jean Marsh and Patricia Hayes. With a sword and sorcery setting, Davis stars as the eponymous lead character and hero Willow, a reluctant dwarf who plays a critical role in protecting a special baby from an evil queen. Lucas conceived the idea for Willow in 1972, approaching Howard to direct during the post-production phase of Cocoon in 1985. Lucas believed he and Howard shared a simpatico relationship similar to the one Lucas enjoyed with Steven Spielberg. Bob Dolman was brought to write the screenplay, coming up with seven drafts before finishing in late 1986. Willow was then set up at Metro-Goldwyn-Mayer and principal photography began in April 1987, finishing the following October. The majority of filming took place at Elstree Studios in Hertfordshire, England, as well as Wales and New Zealand. Industrial Light & Magic created the visual effects sequences, which led to a revolutionary breakthrough with digital morphing technology. Willow was released in May 1988 to box office disappointment and mixed reviews from film critics, but eventually received cult film recognition.
[edit] PlotThe evil queen Bavmorda wields black magic to conquer the surrounding land and enslave its people. She fears the birth of a child with a peculiar birthmark, whom prophecies foretold would bring about her downfall. Bavmorda imprisons all the expecting mothers, while the child of the prophecy is born. Before Bavmorda has a chance to kill the baby, the midwife escapes and brings with her the baby girl. She puts the blessed baby on a raft and sends it downstream, trusting fate to run its course. The child eventually washes up on shore near a village inhabited by a race of dwarf-like people called Nelwyns. Willow Ufgood, the farmer and amateur magician who found the baby, is chosen by the town council to return the child to the world of the "large people", or Daikini. The first Daikini Willow comes upon is a renegade warrior named Madmartigan, who takes care of the baby. On his way home, Willow is attacked a clan of Brownies, who also stole the baby from Madmartigan. Willow is then told by the Brownie fairy queen of the forest, Cherlindrea, that he has been chosen to protect the baby, Elora Danan. She gives Willow a magic wand, and commissions him to find the sorceress Fin Raziel. Cherlindrea sends along two brownies, Franjean and Rool. Along the way, they bumped into Madmartigan, who helps them out with a close calls with Sorsha, Bavmorda's daughter. Willow and the rest of the group finally meet Raziel, only to find that the sorceress has been turned into a rodent by Bavmorda. Sorsha then captures Willow and his associates, where they start the long trek to Nockmaar castle. Willow attempts to use magic to turn Raziel back into her human form, but fails. Meanwhile, Madmartigan and the Brownies manage to escape, while Madmartigan, under the influence of the Brownies' love potion, became infatuated with Sorsha. Willow and the group escape from Sorsha's control and make a hasty retreat with stolen horses. The group eventually finds the castle of Tir Asleen, but the castle had been put under Bavmorda's spell; all its inhabitants are frozen in ice. Madmartigan, refusing to give up hope, prepares for Sorsha's attack while Willow once again fails transforming Raziel into human form. Sorsha and her army arrive, but luckily, the Army of Galladoorn, led by Madmartigan's old friend Airk Thaughbaer, ally with Willow and join at the same time. A battle ensues, and Sorsha falls in love with Madmartigan. The Nockmaar General Kael, however, captures Elora and takes her to Nockmaar. Willow, Madmartigan, Sorsha, the Brownies, the goat-sorceress Fin Raziel, and what is left of Airk's army set up camp, preparing to storm Nockmaar castle in a final attempt to rescue Elora. Willow finally returns Raziel to her true form, and the sorceress put a spell on the camp to protect them from Bavmorda's magic. The battle at Nockmaar begins the next day, in which Kael kills Airk, and Madmartigan kills Kael. Willow manages to save Elora at the last moment from Bavarda's murderous ritual, and leaves the baby in caring arms of Madmartigan and Sorsha. Willow then returns to his Nelwyn village. [edit] Cast
[edit] Production[edit] DevelopmentGeorge Lucas conceived the idea for Willow (originally titled Munchkins) in 1972. Lucas' desire for Willow was similar to Star Wars, and create "a number of well-known mythological situations for a young audience".[1][2] During the production of Return of the Jedi in 1982, Lucas approached Warwick Davis, who portraying Wicket the Ewok, about playing Willow Ufgood. Five years passed before he was actually cast in the role. Lucas "thought it would be great to use a little person in a lead role. A lot of my movies are about a little a guy against the system, and this was just a more literal interpretation of the that idea."[1] Lucas explained that he had to wait until the mid-1980s to make Willow because visual effects technology was finally advanced enough to execute his vision.[2] Meanwhile, actor-turned-director Ron Howard was looking to do a fantasy film. Howard was at Industrial Light & Magic during the post-production phase of Cocoon, when he was first approached by Lucas to direct Willow. Howard had previously starred in Lucas' American Graffiti,[3] while Lucas felt that he and Howard shared a simpatico relationship similar to the one Lucas enjoyed with Steven Spielberg. Howard nominated Bob Dolman to write the screenplay based on Lucas' story. Dolman worked with Howard on an unsold television pilot called Little Shots, and Lucas admired Dolman's work on the sitcom WKRP in Cincinnati.[4] Dolman joined Howard and Lucas at Skywalker Ranch for a series of lengthy story conferences, and wrote seven drafts of his script between the spring and fall of 1986.[4] Pre-production began in late-1986. Various major film studios turned down the chance to distribute and co-finance Willow with Lucasfilm because they believed the fantasy genre was unsuccessful. This was largely due to films such as Krull, Legend, Dragonslayer and Labyrinth.[5] Lucas took Willow to Metro-Goldwyn-Mayer (MGM), which was headed by Alan Ladd, Jr. Ladd and Lucas shared a relationship as far back as the mid-1970s, when Ladd, running 20th Century Fox, greenlighted Lucas' idea for Star Wars.[6] However, in 1986, MGM was facing financial troubles and it's major investment of a fantasy film was perceived as a risk. Ladd advanced half the $36 million budget for Willow in return for theatrical and television rights, leaving Lucasfilm with home video and pay television rights to offer in exchange for the other half.[6] [edit] FilmingPrincipal photography began on April 27, 1987 and ended that following October. Interior footage took place at Elstree Studios in Hertfordshire, England, while location shooting took place in Wales and New Zealand.[6] Lucas initially visualized shooting Willow similar to Return of the Jedi, with studio scenes at Elstree and locations in Northern California, but the idea eventually faded. However, some exteriors were done around Skywalker Ranch and on location at Burney Falls, near Mount Shasta.[7] The Chinese government refused Lucas the chance for a brief location shoot. He then sent a group of photographers to South China to photograph specific scenery, which was then used for background blue screen footage. Tongariro National Park in New Zealand was chosen to house Bavmorda's castle.[7] [edit] Visual effectsLucas' Industrial Light & Magic (ILM) created the visual effects sequences. The script called for Willow to restore Fin Raziel (Patricia Hayes) from a goat to her original human form. Willow recites what he thinks is the appropriate spell, but turns the goat into an ostrich, and then a tortoise, and finally a tiger, before returning Raziel to her human body. ILM supervisor Dennis Muren considered using stop motion animation for the scene.[8] He also explained that another traditional and practical way in the late-1980s to executive this sequence would have been through the use of an optical dissolve with cutaways at various stages.[6] Muren found both stop motion and optical effects to be too technically challenging and decided that the transformation scene would be a perfect opportunity for ILM to create advances with digital morphing technology. Muren proposed filming each animal, and the actress doubling for Patricia Hayes, and then feeding the images into a computer program developed by Doug Smythe (Terminator 2: Judgment Day, Iron Man).[6] The program would then create a smooth transition from one stage to another before outputting the result back onto film. Smythe began development of the necessary software in September 1987. By March 1988, the impressive result Muren and fellow designer David Allen (Young Sherlock Holmes, Ghostbusters II) achieved what would represent a breakthrough for computer-generated imagery (CGI).[6] [edit] ReleaseWillow was shown and promoted at the 1988 Cannes Film Festival.[9] The film was released on May 20, 1988 in 1,209 theaters, earning $8.3 million in its opening weekend. Willow eventually grossed $57.27 million in the United States, which Lucas considered a box office disappointment.[10] He had hoped Willow would earn as much money as E.T. the Extra-Terrestrial,[9] but the film faced early competition with Crocodile Dundee II, Big and Rambo III.[11] Willow was released with mixed reviews from critics.[9] Based on 23 reviews collected by Rotten Tomatoes, 43% of the critics enjoyed Willow with an average score of 5.4/10.[12] Roger Ebert admitted he thought Willow was entertaining, but nonetheless gave a largely negative review. Ebert wrote that the film is too dark for children and that he was largely disappointed with the story structure .[13] Richard Corliss of Time magazine believed the sword and sorcery themes presented in Willow were overtly cliché.[14] Janet Maslin from The New York Times praised Lucas' storytelling, but was critical of Ron Howard's direction. "Howard appears to have had his hands full in simply harnessing the special effects," Maslin said.[15] Desson Thomson, writing in The Washington Post, explained "Rob Reiner's similar fairytale adventure The Princess Bride (which Willow cinematographer Adrian Biddle also shot) managed to evoke volumes more without razzle-dazzle. It's a sad thing to be faulting Lucas, maker of the Star Wars trilogy and Raiders of the Lost Ark, for forgetting the tricks of entertainment."[16] Mike Clark in USA Today wrote that "the rainstorm wrap-up, in which Good edges Evil is like Led Zeppelin Meets The Wild Bunch. Willow is probably too much for young children and possibly too much of the same for cynics. But any 6—13-year-old who sees this may be bitten by the "movie bug" for life."[6] Sound designers Ben Burtt and Richard Hymns of Skywalker Sound were nominated the Academy Award for Sound Editing, but lost to Who Framed Roger Rabbit. The visual effects supervisors also lost the Academy Award for Visual Effects to Roger Rabbit, which was similarly done by Industrial Light & Magic.[17] Costume designer Barbara Lane won the Saturn Award for Best Costume Design. Warwick Davis (Performance by a Younger Actor) and Jean Marsh (Supporting Actress) also received nominations. Willow also lost the Saturn Award for Best Fantasy Film[18] and Hugo Award for Best Dramatic Presentation to Roger Rabbit.[19] George Lucas and Bob Dolman (Worst Screenplay) and Billy Barty (Worst Supporting Actor) were given Golden Raspberry Award nominations.[20] The film was released on DVD as a "special edition" in November 2001 by 20th Century Fox Home Entertainment. The release included audio commentary by Warwick Davis and two "making of" featurettes.[21] [edit] Sequels[edit] NovelsLucas outlined a trilogy to follow the film and hired comic book writer/novelist Chris Claremont to adapt them into a series of books. They take place about fifteen years after the original film and feature the now teenage Elora Danan as the central character.
[edit] Film/TVDue to the cult film recognition Willow received since its release in 1988, Lucas and Warwick Davis commented in April 2005 that a television series acting as a sequel was under consideration.[22] In June 2008, Davis reiterated his hopes to return for a theatrically released second installment.[23] [edit] References
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