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For the real-life battleship, see Russian battleship Potemkin.
The Battleship Potemkin (Russian: Броненосец «Потёмкин», Bronyenosyets Potyomkin), sometimes rendered as The Battleship Potyomkin, is a 1925 silent film directed by Sergei Eisenstein and produced by Mosfilm. It presents a dramatised version of the Battleship Potemkin uprising that occurred in 1905 when the crew of a Russian battleship rebelled against their oppressive officers of the Tsarist regime. Potemkin has been called one of the most influential films of all time, and was named the greatest film of all time at the World's Fair at Brussels, Belgium, in 1958.
[edit] Film style and contentThe film is composed of five episodes:
Eisenstein wrote the film as a revolutionary propaganda film, but also used it to test his theories of "montage". The revolutionary Soviet filmmakers of the Kuleshov school of filmmaking were experimenting with the effect of film editing on audiences, and Eisenstein attempted to edit the film in such a way as to produce the greatest emotional response, so that the viewer would feel sympathy for the rebellious sailors of the Battleship Potemkin and hatred for their cruel overlords. In the manner of most propaganda, the characterization is simple, so that the audience could clearly see with whom they should sympathize. 
Eisenstein's experiment was a mixed success; he "was disappointed when Potemkin failed to attract masses of viewers"[1], but the film was also released in a number of international venues, where audiences responded more positively. In both the Soviet Union and overseas, the film shocked audiences, but not so much for its political statements as for its use of violence, which was considered graphic by the standards of the time.[citation needed] The film's potential to influence political thought through emotional response was noted by Nazi propaganda minister Joseph Goebbels, who called Potemkin "a marvellous film without equal in the cinema ... anyone who had no firm political conviction could become a Bolshevik after seeing the film."[2] [edit] The Odessa Steps sequence
The most famous scene in the film is the massacre of civilians on the Odessa Steps (also known as the Primorsky or Potemkin Stairs). In this scene, the Tsar's Cossacks in their white summer tunics march down a seemingly endless flight of steps in a rhythmic, machine-like fashion firing volleys into a crowd. The victims include a young boy and a mother who is pushing a baby in a baby carriage. As she falls to the ground, dying, she leans against the carriage, nudging it away; it rolls down the steps amidst the fleeing crowd. 
The massacre on the steps is fictional, presumably created by Eisenstein for its dramatic venue and effect, as well as for propaganda and to demonise the Tsar and the Imperial regime.[3] It is, however, based on the fact that there were widespread demonstrations in the area, sparked off by the arrival of the Potemkin in Odessa Harbour, and both The Times of London and the resident British Consul reported that troops fired on the crowds with accompanying loss of life (the actual number of casualties is unrecorded). Film critic Roger Ebert writes, "That there was, in fact, no czarist massacre on the Odessa Steps scarcely diminishes the power of the scene ... It is ironic that [Eisenstein] did it so well that today the bloodshed on the Odessa steps is often referred to as if it really happened."[4] [edit] Treatment in other filmsThe scene is perhaps the best example of Eisenstein's theory on montage, and many films pay homage to the scene, including Terry Gilliam's Brazil, Francis Ford Coppola's The Godfather, Brian De Palma's The Untouchables, Tibor Takacs' Deathline, and George Lucas's Star Wars Episode III: Revenge of the Sith. Several films spoof it, including Woody Allen's Bananas and Love and Death, Zucker, Abrahams, and Zucker's Naked Gun 33⅓: The Final Insult, Soviet-Polish comedy Deja Vu and the Italian comedy "il secondo tragico Fantozzi" (in English, "The Second Tragic Fantozzi Movie"). Peter Sellers presented an homage to the sequence in his film "The Magic Christian;" during the "Free money" scene near the end, a line of businessmen descend the bank steps wielding their umbrellas like rifles. [edit] Distribution, censorship and restoration
After its premiere in Soviet Union, Potemkin was shown in the United States. It was shown in an edited form in Germany, with some scenes of extreme violence edited out by its German distributors. A written introduction by Leon Trotsky was cut from Soviet prints after he ran afoul of Joseph Stalin. The film was banned in Nazi Germany, Britain (until 1954 and X-rated until 1978), Spain (though not during the Second Republic), France, and other countries for its revolutionary zeal. It was even banned in the Soviet Union for a short period when the Comintern, under Stalin's Socialism in One Country policy, ceased to promote world revolution and mutiny among the navies of capitalist countries. Today, the film is widely available in various DVD editions. However, in 2004, a three-year restoration of the film was completed. Many excised scenes of violence were restored, as well as the original written introduction by Trotsky. The previous titles, which had toned down the mutinous sailors' revolutionary rhetoric, were corrected so that they would now be an accurate translation of the original Russian titles in the film. [edit] SoundtracksAs a propaganda film, Eisenstein declared his wish that the score should be rewritten every 20 years, in order to retain its relevance to each new generation.[citation needed] The original score was composed by Edmund Meisel. A salon orchestra performed the Berlin premiere in 1926; its instrumentation was flute/piccolo, trumpet, trombone, harmonium, percussion and strings without viola. Meisel wrote the score in twelve days and nights due to the late approval from the censorship board. Due to this problem, Meisel would repeat large sections of the score, unchanged, in an effort to complete the project. Composer/conductor Mark-Andreas Schlingensiepen has reorchestrated and improved the score based on the original piano score and has adjusted it to fit the reconstructed version of the film available today. In its commercial format (on DVD, for example) the film is usually accompanied by pieces of classical music that have been subsequently added; Dmitri Shostakovich and Nikolai Kriukov are two composers whose works have been used. In an attempt to make the film relevant for the 21st century, the Pet Shop Boys composed a new soundtrack in 2004, accompanied by the Dresden Symphonic Orchestra. Their soundtrack, released as Battleship Potemkin in 2005, was premiered in September 2004 at an open-air concert in Trafalgar Square, London. There were four further live performances of the work with the Dresdner Sinfoniker in Germany in September 2005 and one at Swan Hunters Shipyard in Newcastle-upon-Tyne on May 1, 2006. The only other live performance of this piece took place on January 11, 2008, at the Barbican Center in London. [edit] Critical reactionIn 2007, a two-disc, restored version of the film was released on DVD. Time magazine's Richard Corliss named it one of the Top 10 DVDs of the year, ranking it at #5.[5] [edit] Notes
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