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Signals is the ninth studio album by the Canadian rock band Rush, released in 1982 (see 1982 in music). Signals was the follow-up to the successful Moving Pictures. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as keyboards, sequencers, and electric violin. Another noticeable change was in terms of song length and lyrical compression. The album reached #10 on the Billboard album charts and was certified Platinum (1,000,000 copies sold) by the R.I.A.A. in November 1982.[citation needed]
[edit] Writing and recordingThe writing of the album began in 1981, during soundchecks on the Moving Pictures Tour, which they taped. Coincidentally, parts of “Chemistry” were written by the band at once while they were separated from each other. Lee wrote the keyboard melody for the bridge section, Lifeson wrote the guitar riff for the verse, and Peart wrote the drum beat for the chorus, and in a move unusual for Rush, Lee and Lifeson came with the concept and title for the song and presented rough lyrics for Peart to polish. In April, in Orlando, Florida, the band attempted to watch a launch of the space shuttle. It was canceled because of a computer malfunction, and they finally observed the launch a few days later for inspiration on “Countdown”. In September, at Le Studio, Quebec, Peart jammed with the road crew on a song, and was joined by Lee and Lifeson. It was recorded later and temporarily titled “Tough Break”. Afterward, Peart wrote lyrics for it, now titled "Subdivisions", while Lifeson and Lee came up with additional parts. Lee began experimenting with sequencers and drum machines while at home in Toronto, and came up with “The Weapon”. In January 1982, on a docked schooner in the Virgin Islands, Peart presented his lyrics for “The Analog Kid” to Lee and they both agreed that it would make a great up-tempo rocker, with a soft chorus. At Muskoka Lakes, Ontario in March at the Grange, “Digital Man” was put together and at Le Studio, the Ska style bridge was created along with the sequencer pattern with the guitar and bass. Producer Terry Brown was not impressed and initially refused to record it. In May, the band set out to record a song that had a time limit of 3:57 to keep both sides of the record equal. “New World Man” was written and recorded on the same day, giving it a spontaneous live feel. In June, Ben Mink from the band FM was invited to play electric violin on “Losing It”.[1][2] [edit] Song notesThe opening track from Signals is "Subdivisions." The track would become a staple of the band's concert setlists for many years. "The Analog Kid" and "Digital Man" served as the inspiration for writer Troy Hickman to create the comic book heroes of the same name, Digital Man and Analog Kid, in the 2004 comic Common Grounds.[3] "Digital Man," a slightly reggae-based song, ultimately led to the end of the band's relationship with long-time producer Terry Brown. Brown was reluctant to leave behind the band's progressive-rock past, while band members, especially Lee, wanted to explore new musical directions. The mid-section of the song has been compared with the song "Walking On The Moon" by The Police.[4] A slightly-adapted version of the song was brought back for the 2007 Snakes And Arrows Tour, marking the first time Rush performed it in nearly 23 years. "The Weapon" (Part II of the 'Fear' trilogy) would be featured in the album's supporting tour and would include a video opening hosted by Count Floyd of SCTV fame. "New World Man" became a surprise FM radio hit for the band, peaking at #21 on the Billboard Hot 100 singles chart for three weeks in October and November of 1982. It remains the band's highest charting single in the US to date. The song was written and recorded at the end of the recording sessions with the intention of preserving the continuity of the then-popular cassette tape format. This allowed for two roughly 21-minute sides with as little "dead air" between them as possible. "Losing It" includes a guest appearance by FM alumnus Ben Mink on electric violin. Neil Peart's lyrics reference, among other things, the latter years of writer Ernest Hemingway: "for you the blind who once could see, the bell tolls for thee...". This song remains the only track from the album never to have been performed in concert. The lyrics in the final track, "Countdown," describe the launch of the Space Shuttle Columbia in 1981 which the band witnessed. The song features audio clips of some of the radio talk recorded during the maiden flight. It was a minor UK chart hit in early 1983. Signals represented the band's last collaboration with producer Terry Brown, who had co-produced every Rush album since 1975's Fly by Night, and had engineered the eponymous first album in 1974. [edit] Track listingAll songs written by Alex Lifeson, Geddy Lee, and Neil Peart
(The Track Listing is from the CD Release. This album was originally released on LP, cassette and 8 track.) [edit] Personnel
[edit] ChartsAlbum - Billboard (North America)
[edit] Singles
[edit] Remaster DetailsMobile Fidelity Sound Labs issued a Gold CD remaster in 1994. That release is now out of print. [1]
A Mercury Records remaster was issued in 1997.
[edit] References and notes
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